
Opening essay listed as a Notable Essay in Best American Essays 2019
“In this thoughtful collection of essays, Maria Terrone lyrically reflects upon the vicissitudes of memory, the quicksand of identity, and the trappings of time. Terrone finds firm footing in the New World, but never steps far from the Old, the Sicilian landscape her family left behind. As Terrone joyfully claims her name and place in the world, the reader embarks on this journey with her, fortified by her hard-earned wisdom, and subsequently feeling a little less alone.”
— Maria Laurino, author of The Italian Americans: A History and Were You Always an Italian?
“I love this collection of essays by Maria Terrone, an exceptionally talented woman who grew up in Jackson Heights, Queens, with maternal roots firmly established, as she shows us, in Sicily’s long history. Subtly crafted, witty, honest, it brings to life a New York one instantly recognizes: an international city, ranging from the factories of Long Island City to a Fifth Avenue beauty company to shooting ranges to Catholic schools. A world where a woman might lose herself in preparing foods from many countries to dreaming of fashionable clothes and out-of-this world watches and shoes, while taking those graffiti-soaked subways to summer jobs in New York’s cubicles and windowless offices. All of it memorably realized here on page after page in a language which only really fine poets can evoke, realizing for us, her lucky readers, a world shared in truth by so many of us.”
— Paul Mariani, author of The Whole Harmonium: The Life of Wallace Stevens
“Maria Terrone points her writing directly at the difficult and powerful material of the edges of ordinary life: a small hospitalized child being threatened by a nurse, horror stories from Vietnam, stories of a POW in a Japanese camp. But much more than that. Why does a beloved brother have a love affair with guns and shooting? What does it mean to explore our own fears unflinchingly? Her writing penetrates the underworld from the subway to the unconscious, from family to beyond, sometimes employing wry humor to examine her personal obsessions and her place in the “new world” of 21st century America. You will sink into these essays and be rapt with attention. A fine book.”
— Joanna Clapps Herman, author of The Anarchist Bastard
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Reviews
“Terrone recreates for the reader the urban environment she grew up in and loves. Reading Terrone’s essays, filled with honesty and vulnerability, I began to feel fortunate for the chance to know her.”
The Common
“From stifling subway rides to lunchtime escapism in a shoe shop, through her first trip to Sicily and a glorious love letter to a golden shawl bought on her Spanish honeymoon, Terrone has the power to pick the reader up and transplant them into her world.”
LITRO
“Written in conversational prose and driven by a lyrical imagination…these essays position her as an observer, a historian and a poet.”
At the Inkwell
“The title essay was based on her piece commissioned by the Guggenheim Museum, which she considers ‘a turning point for me as a writer.’ ”
Queens Chronicle